- #Mr corner clarinet full
- #Mr corner clarinet professional
- #Mr corner clarinet free
- #Mr corner clarinet crack
#Mr corner clarinet professional
Separate posĭesigned to provide top professional performance features by Tom Ridenour. ABS body Power forged keys Standard thumb rest Ridenour thumb saddle Handmade mouthpiece Hand-reamed.
#Mr corner clarinet free
Separate post mounted trill keys, a double reenforced crows foot that helps maintain trouble-free coupling of the F/C-E/B keys, and free after-point-of-purchase customizing and support. All Lyrique Bb clarinets come standard with in-line. Power forged keys, standard thumb rest, a Ridenour Thumb Saddle, 1 hard rubber barrel, hard shell case, swab and cork grease. The RPC-146 Lyrique Bb features a handmade mouthpiece.
#Mr corner clarinet crack
The body is made of ABS that will not warp or crack and the hand reamed barrel is made of pure natural hard rubber that increases the darkness and roundness of tone. And comes with all the support and services provided with the RCP 576BC, professional clarinet. The RCP-146 Lyrique is the first hand tuned clarinet that is truly in the price range of even young clarinetists. The RCP-146 Lyrique Bb soprano clarinet is proof positive that you don't have to break the bank to get an excellent clarinet. One has the sense that one can just"set and forget" the embouchure and then begin imagining the music.
#Mr corner clarinet full
Since it requires minimal embouchure/air pressure adjustment to play the full range of the clarinet. Perhaps the most remarkable and enjoyable thing about the RCP-146 Lyrique Bb is the experience of phrasing music. How easy the tone is to center and how effortlessly the focus is maintained throughout the clarinet's full range. Players of all skill levels will appreciate its timberal beauty. The tone is both dark and resonant throughout the full range and extremely stable. Correcting many tuning faults largely regarded as unsolvable without additional key work and tone holes. more the even blowing resistance and tuning commonly identifed with only the finest clarinets. As a family we also spend lots of time in the Coral Bay/Exmouth area and Margaret River region camping, so we get the most out of the Western Australian lifestyle.Click an Image to Enlarge H77328M.002 Specific details about this product/instrument: Small chip in edge of bell. Outside of music, I enjoy watching my two teenage daughters play sport and perform their music. I do this through the West Australian Symphony Orchestra, the Malaysian Philharmonic Orchestra and local bands as well. Outside of Wesley, I focus on my professional playing career as I believe it’s important to maintain a career that involves regular performing. Outside of College life, what are your favourite things to do? The sense of commitment has been one of the constants over time at the College and I see this every day in the boys’ efforts and attitudes towards Music. In terms of the boys, I have noticed an increase in maturity over time, with the boys becoming more mature at an earlier age. When I first arrived, there were a couple of computers but they did not have the capabilities that the computers do today and there was no internet connection.
The technology within the school has been another change with each Senior School boy now in possession of their own device. The campus has had some dramatic changes with the Middle School campus being introduced during my time, which has included the new Middle School and transition buildings. The opportunity also seemed the logical progression of my career at the time.ĭuring your 22 years at Wesley, what changes have you seen in the College and the students?
The stories I heard about Wesley being a great place to teach, with great students, also enticed me. Wesley had a high appeal to me as the College had a really vibrant music program which was headed up by Jeff Lowe, with a number of bands and ensembles. What made you choose to join Wesley College?Īt the time I was offered the job at Wesley, I was working part-time, so it was a great opportunity to have a full-time position as an instrumental tutor. So the inspiration, I suppose, was to stay connected with music and to enjoy what teaching music offers. It was a great way to stay connected with the music industry, as I was still aiming to become a professional musician at the time. To make some money whilst studying at university, I began teaching a couple of clarinet students privately. He has also been a member of several musical groups including the WA Symphony Orchestra and the Malaysian Philharmonic Orchestra.Īfter receiving a music scholarship at Churchlands, I left school in 1987. Alex has taught clarinet and saxophone to students over his journey and has conducted and directed both Junior and Senior Jazz and Concert Bands over the last 22 years. Alex Boyd is the Woodwind & Wind Ensemble Coordinator at the College and commenced work at Wesley in 1996.
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